>>8468 And that's it true believers. It was a pleasure storytiming for you all and I hope I can do it again either next year or at some point in the future. I hope everyone had a wonderful Christmas and I wish all of 8chan a wonderful new year!

>>6754 Looks like another tax write-off to me.

>>7003 >Can't be episodic forever. Unless they make it into a comedy

Merry Xmas /co/, be merry!

Merry Christmas you faggots.

>>8386 >hispachan >the site that helped cripplekike after he backstabbed 8chan GO FUCK YOURSELVES YA FILTHY SPICS

>>8384 Added. Last call for any additions!

The finished card!

>>6596 >Danny Antonucci owns the rights to the Eds so CN can never puppet their corpses for something retarded like they did with the Powerpuff Girls. >Even if CN tried approaching him with a reboot offer, he's such a crank he'd probably tell them to get fucked. God bless that bitter old Quebecois and his hatred of anything to the south of Mapleland

>>6596 >>6674 Good on Antonucci for being a stubborn fuck. I also respect that he at least had the idea to end Ed Edd n Eddy when it started going downhill. The school season wasn't great, but ending with the movie still let it go out on a high note. How did he negotiate to keep the rights to EEnE when show pitching anyway? Usually media companies want full control before agreeing to produce anything.

>>8252 >How did he negotiate to keep the rights to EEnE when show pitching anyway? If I had to guess, abusing the fact that he has his own studio based in Canada and thus using Canadian law while negotiating.

>>8243 >>8254 >double posting hours apart Did you mean to make a different second post?

>>8258 are you retarded?

>>8263 probably, I feel myself get dumber after each new Hollywood remake that gets announced

Only good thing to come out of Civil War was dent in Millar's reputation. Before it, people sucked his dick and insisted that something like Wanted is a masterpiece. This started to stop soon after Civil War was done.

>>8159 Do you have any screencaps of this anon?

>>8171 No. It is pretty tough to screencap a trend that takes years of gradual change. If you look at his award nominations, they stopped after 2004, right around the time when the Road to Civil war was starting. Millar's project garnered less and less attention over time, and Kick-Ass was the last overall liked book by him. Other stuff was either ignored (Superior) or became internet's laughing stock (Nemesis). Then you have years of bitching about Ultimates, Spider-Man's identity reveal and how it set up One More Day, and so on.

>>8095 Let them die.

have they canned Owl House or amphibia yet?

>>8108 Not yet, but keeping in mind they have already moved those to plus I doubt they are in-risk to be canned because of lack of audience.

>>4772 This comic makes some of the characters a lot nicer than in Wagner's opera. Not that I mind in this instance.

>>4772 >I'm not very familiar with the mythology but I have heard of this graphic novel original take on the legend based on both the norse myth & the Wagner opera. >>4776 >Now enters our title character. Mowg- I mean Siegfried. Or Sigurd from the norse myth version. Siegfried is a German translation. This is a french comic, by the way. Nigga, do you even know your history? Das Nibelungenlied is a medieval German epic. There's also a Norse version of the story - the Völsunga saga - but the German version is similarly old, with both being from the 13th century. The German version of the story isn't something that started with fucking Wagner. The original story isn't exactly Norse or Scandinavian either - except for that escapade in Iceland (which is only a small part of the original story) also, Siegfried dies fairly early on, the whole thing is set in mainland Europe. The focus is on the Burgundian court, it features groups like the Saxons and the Huns (with Hunnish king Etzel likely being based on Atilla). And the whole thing is likely based on an oral tradition about the Burgundian kings during the age of the Great Migrations. Relevant side note: the Scandinavians weren't actually all that original; they picked up quite a few popular tales from mainland Europe. You know how the Elder Edda is divided in poems about gods and poems about heroes? Almost all of those hero poems are set in mainland Europe. Atilla the Hun (Atli) shows up in several of them. Of course the Scandinavians did add their own elements to the stories they adopted - but hey, that's just how premodern literature and storytelling work. If you want a story that probably *is* based on a Scandinavian original, look at Beowulf. Even though it's an Anglosaxon work, the story is set in Denmark, and its style may have Scandinavian influences.

>>8081 No I don't know German history. They don't teach that shit.

they had a happy ending, kinda, but the beast planet is still there, consuming another planets.

I think sylvia's hot

>>7941 >>8011 Speaking of Mainframe, the Beast Wars/Beast Machines sequel that was originally planned, Transtech, would have been a hell of a lot better than the Unicron Trilogy. Instead of a full on reboot, erasing any investment I had in the world and characters, we could have had a bunch of G1 guys come back with their original histories in tact, and team up with the cooler Beast era guys. There are a few convention exclusive stories where stuff vaguely along these lines happens, and they're really cool. I'm sure an actual show would have been a lot better. Also, Nightscream wouldn't have looked like an absolute faggot.

>>6558 Capeshit, especially DC, has a lot of stories specifically arguing that they are modern mythology. Call them presumptuous if you wish. The nature of many, many creators working together across multiple generations to form a large interconnected world does call to mind some similarities, regardless of if it's about the supernatural or not. Of course, superheroes being controlled by corporations doesn't help. It doesn't take a redditor to make that argument. It could be a redditor only looking at superficial stuff, or it could be a turbo-autist referencing some deep lore.

>>7950 "Superheroes are the new mythology" reeks of egotism. It is something that self important capeshit writers tell themselves to feel better about writing corporate owned characters aimed at manchildren. Same goes for fanboys overly obsessed with superheroes. Superhero comics never were as important or culturally influential as actual myths used to be.

>>7956 >Superhero comics never were as important or culturally influential as actual myths used to be. Of course not. They're much newer and constrained by intellectual property laws. That is likely to start changing in the next decade, but it will take like a full century before they're fully free to actually be used properly, if ever.

>>7385 - >>7539

>>7511 RIP

>>7516 FPBP >>7519 Second post not far behind. I hope this finally destroys this no talent iteration of deadpool

>>7511 Apparently its still R but I doubt it'll have anything really risky.

F

F

>>7514 >I'm amazed Disney hasn't canned him yet, he's either working pennies on the dollar or loves playing the saxophone for the mouse. Main reason Slott has work is because of nepotism in the comics industry. That's how hacks like Slott, Rucka, and Bendis have been around for so long and are constantly promoted despite people's dwindling interest in them. They are also getting by thanks to their successes two decades ago.

>>7518 With all the firings going around, they shouldve been replaced with college interns months back.